At Risk Register: The Church's Collapsing Tower

When Towers Fall: Why It Matters

In the heart of the Meon Valley, St Mary & All Saints Church is more than stone and mortar. Its 900-year-old tower has stood through wars, storms, and centuries of change. Friends of Droxford Church (FODC) was formed to combat this threat  and it wasn’t distant, it was urgent. The tower was failing. Without intervention, the consequences for the village would have been profound.

FODC raised £650,000, enough to fully repair the tower and build an annexe to house Wilfrid’s Café, a community space that FODC showcased at the 2016 Droxford Fair, that was designed to generate a sustainable income so that the building will never again edge towards collapse.

But why act so decisively? The risks of a collapsing church tower go beyond heritage loss.

St John the Baptist, High Toynton, when the tower collapsed in 2020.

The Risks of a Collapsing Tower

A collapsing tower is not a slow fade—it’s a cascading crisis.

  • Loss of the building’s core structure, are integral to the church’s fabric. Structural failure can rapidly compromise the nave, roof, and adjoining elements, multiplying repair costs[^1].
  • Trigger for closure. Many churches placed on Historic England’s Heritage at Risk (HAR) Register for tower instability are immediately restricted or closed until works are complete[^2]. This severs the building’s role as a worship space and community hub.
  • Loss of income and social capital. In rural settings, closure halts fundraising events, café income, and venue hire, undermining long-term sustainability.
  • Immediate danger to life and property. Falling masonry from failing towers has injured bystanders in other parts of the country, and closures for public safety are not uncommon when structures become unstable[^3].

What Happens When a Church Goes on the At Risk Register?

Being listed on the HAR Register is not just a label; it’s a statistical crossroads. Based on Historic England and Church of England data, the long-term estimated outcomes for churches are:

Most likely risks from being on the At Risk register
RankOutcomeEstimated LikelihoodNotes
1Saved & repaired65–75%Grants, local fundraising, and trusts often succeed in stabilising and restoring churches[^4].
2Closed then reused (adaptive reuse)

20–25%

Many are converted for housing, community use, or worship by other denominations[^5].
3Demolished / collapsed2–5%Rare for listed churches due to legal protections[^6].

If a Village Church Closes: Most Likely New Uses

When a rural church does close and is reused, the likely outcomes, ranked by frequency and durability, are:

  1. Residential conversion – The largest and most stable reuse category for closed churches nationally[^7].
  2. Worship by another Christian body – Sustainable where there’s demand from other denominations[^8].
  3. Community hub – Sometimes combined with a shop, post office, or café; success depends on local capacity and funding[^9].
  4. Office/retail/café – Viable in villages with sufficient footfall, often as part of a mixed-use plan[^10].
  5. Education/childcare – Niche but successful where demographics support it[^11].
  6. Arts or performance space – More common in towns than small villages, and often financially precarious[^12].

Why Droxford’s Case Matters

Without FODC’s and others intervention, Droxford Church could have faced closure, redundancy, and uncertain reuse. Even if saved structurally, its role as a living community hub would have been in jeopardy. The annexe café not only secures a revenue stream for ongoing maintenance but also ensures the building remains embedded in village life.

In heritage terms, every saved tower is more than a structure—it’s a statement of continuity, safety, and identity. For Droxford, the tower’s survival is the village’s survival.

 

Footnotes

[^1]: Historic England, Value of Maintenance (2019) – structural interdependency of towers and main roof. https://historicengland.org.uk/advice/caring-for-heritage/places-of-worship/maintenance/

[^2]: Church of England, Dealing with Dangerous Structures guidance. https://www.churchofengland.org/resources/churchcare/church-buildings/dangerous-structures

[^3]: Historic England, Heritage at Risk Register case notes; incidents recorded in multiple tower-failure emergencies. https://historicengland.org.uk/advice/heritage-at-risk/

[^4]: Historic England statistics: ~75% of all assets since 1998 have been removed from the HAR Register after repair. https://historicengland.org.uk/research/heritage-at-risk/

[^5]: Church of England closed church statistics, 1969–2019; 80% of closed churches reused. https://www.churchofengland.org/resources/churchcare/church-buildings/closed-church-buildings

[^6]: Redundant church demolition data – mostly unlisted; listed losses rare. https://en.wikipedia.org/wiki/Redundant_church

[^7]: Church of England, Church Closures and Alternative Uses dataset; residential is the largest reuse category. https://www.churchofengland.org/resources/churchcare/church-buildings/closed-church-buildings

[^8]: Ibid., worship by other denominations is second largest. https://www.churchofengland.org/resources/churchcare/church-buildings/closed-church-buildings

[^9]: Plunkett Foundation rural case studies; Historic England New Uses for Former Churches report. https://plunkett.co.uk / https://historicengland.org.uk/advice/technical-advice/buildings/places-of-worship/new-uses-for-former-churches/

[^10]: Church of England closures dataset – office/shop/café uses regularly recorded. https://www.churchofengland.org/resources/churchcare/church-buildings/closed-church-buildings

[^11]: Ibid., smaller category but examples include nurseries and training centres. https://www.churchofengland.org/resources/churchcare/church-buildings/closed-church-buildings

[^12]: Church of England closures dataset – arts uses present but less durable, with closures during COVID-19. https://www.churchofengland.org/resources/churchcare/church-buildings/closed-church-buildings

The Medieval Church

The Church in Transition

Victorian to Modern Times

Written by Ivor Coleman, Designed by David Goodman